Just fun: Christopher Hart's book review of the interesting side of the brain

Creating interesting pictures for life can be fun, but it can be difficult. It's hard to make a funny joke in real life, and it's also fun when drawing. Artists such as cartoonists, comic artists or illustrators will appreciate the tips, tricks and examples in this book. from

Paint on the interesting side of the brain from

 Christopher Hart.

The premise of this book is: how to make jokes about comics and comics. It is like this. The author explains the difference between hard and soft lines and shows how to turn your joke into a comic, whether you use a single or multiple panel gimmicks. [The panel is the box where you draw cartoons.]

He covers the angle and direction, and how to arrange and design your strips in the same way that the director takes the film. One particularly interesting part is how to create dramatic dramatic emotions or interesting emotions by placing characters and objects in the scene. This is a good message, especially if you want to do a comic strip with lots of drama and action.

Character design has a certain depth. He talked about the agenda for understanding your role. What do your characters really want? It is important to explain the reasons behind this through a few examples. Your role ' The different agenda is the reason for the conflict in the cartoon, which is why it makes it interesting.

A particularly useful part that I have not seen anywhere else is how to take typical animal anatomy and make it interesting. Here are a few good examples of how to turn from more realistic cartoons into more fun cartoons, more fun cartoons, and ways to make animals more attractive.

For artists who want to draw cartoons, graphic novels, comic books and other continuous art, there are many parts that are very useful. He showed how to draw a double balloon, a sound panel and a real helper part, when to use thinking with a speech balloon with different animal, human and baby configurations.

There is even a page for the popular panel configuration for everyday strips. If you are working on multiple strips, you don't want to always use four panels of the same size. He exemplified the use of borderless and rimmed panels of different sizes.

In the final section, "You need to know everything that becomes a professional cartoonist", including how to submit information about your art, and talk about details such as money and how you get paid. There are even tips for working with writer blocks.

Although this is not how to draw a comic book itself, there is a point at the beginning. But this book really disappoints its intentions and helps you learn interesting paintings and come up with jokes. Overall, from

Paint on the interesting side of the brain from

 Christopher Hart is a great addition to any interesting graphic artist library.

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