On an ancient hill 1.5 miles south of Uffington, England, a 3,000-year-old horse draws an elegant and mysterious horse. It is best to see from the sky that the extraordinary stylized horse drawn in white chalk is considered to represent the Celtic horse goddess Epona. The 374-foot painting is the focus of ancient religious celebrations. Every seven years, Mara is really clean. Even today, members of the British heritage will clean and maintain a beautiful picture, leaving us full of mystery.
Why is the ancient horse goddess important today?
Like the Celtic and other horse goddesses in other cultures, Epona connects horses, sacred and feminine. These ancient myths and legends can still tell us today and may help us understand the incredible appeal of so many girls and women to horses. Epona, painted so beautifully on the top of the UK, reminds us of the era of sacredness, glory and freedom of women and horses. So who is Epona? What does she stand for? How did she talk to us for thousands of years?
Who is Epona?
The name Epona comes from the Gaussian word epos, which means horse. The "on" and "a" at the end of the Epona name indicate that she is a goddess. Some of Epona's translations are "Sacred Mare" and "She is a Mare."
Epona was a god who ruled the fertility of the land and later became the goddess of the horse. Some historians believe that she may even be the prototype of Lady Godiva, who in 1057 appeared naked in Coventry, England, to protest against women who taxed the poor.
In Germany, Epona is known as a psychiatrist or spiritual guide for the deceased. In Ireland, she is associated with nightmares and crossroads. Throughout Western Europe, a small devotional character to Epona was widely found in the stables. Epona is clearly respected as a protector and has deep links with other areas of knowledge.
Epona's patriarchal transformation
It seems that the primitive sacred meaning of this sacred female god is changed by anticipating patriarchal values. The cavalry from Gaul [now France] was called in Rome's request to bring the worship of Epona to Rome, where she had her own holiday [December 18] as the goddess of war. Previously, Epona was widely considered to be the protector of horses, cattle, donkeys and cattle. Until the Christian era, roses were used to decorate horses and stables to commemorate Epona. Probably because of the key role of the horses in the war, and the mediation between Epona and the territory of the deceased, the investment in Epona is linked to the victory of the war. The idea of Epona as a goddess of war is offensive, although the mother may have prayed to Epona that it is justified to protect her son and their horses from fighting in distant lands as a powerful female image.
Epona's connection to the nightmare may be similar to her original role in mediating day-to-day consciousness and the unique and uncontrollable nighttime dream world. As a crossroads person, Epona is the mediator between day and night and between the living and the dead.
Epona is re-emerging in culture
There is not much to know about Epona, so we should use our imagination to fill the gap. She is a very real being and resonates with many modern horsewoman. Countless women have used Epona's name for horse stables and horse riding. Epona plays a role in Morgan Llywelyn's popular historical novel "The Horse Goddess." Judithal is another novelist who combines history and novels with her daughter's reverence in the white mare's daughter series. The re-emergence of Epona in modern culture may indicate that we need to respect the power and resilience of women and our connection with divine women.
When we think about Epona and the mysterious Uffington horse painting, it seems that modern girls and women have a deep love for their horse companion.
Orignal From: Women and horses in mythology - Epona
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