Like Nola, Churchill's Marlene found herself in a male-dominated world, but Marlen refused the world's patriarchal assumptions in her life earlier than Nora. Churchill provided a long prospect in the first act of the first act, showing a group of women, from Joan, who became a pope to a man, to Ms. Naijia, a famous Japanese woman in the thirteenth century.
These women discuss their difficult relationships with men in different eras and cultures to reveal that all of them suffer from the injustices caused by male assumptions, values and behaviors. These women also demonstrated their ability to adapt and adapt to the environment, making them the "top girls" of the time. Ma Lin's toast established her connection with these early women: "We have been away for a long time.
However, Churchill does not congratulate like Marlene. Because although the rest of the play explores many of the issues that women must face in our time - economic exploration, job discrimination, upward mobility, etc. - Churchill makes it clear that women may be ruthless and selfish in the process of climbing. The top of the man. When Ibsen asked Nora to close the door of her husband and children, we knew that her decision was necessary pain, but when we learned that Ma Lin gave up Anji and her cold evaluation of her daughter, who was "unsuccessful" We are more reminiscent of Tovar's ignorance, not Nora's absolute need for humanity.
Ma Lin is a determined and enthusiastic supporter of Thatcher and Reagan's conservatism, because she believes that they will not tolerate "stupidity or laziness or wrinkles." Her personal life and political values show that she is committed to loyalty to the survival of the fitter. She did not reject greed and exploitation of the male world, but to ensure that she was in a position of power. As her sister Joyce pointed out, Marlene only thought of herself, and Angie inadvertently summed up the last sentence, Marlene was "fabricated."
Orignal From: The protagonist and "top girl" in "Doll House"
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