Tuesday, May 7, 2019

City era and other poems

Vihang A. Naik's poetry outline, entitled "City Times" and "Other Poetry", is a delightful collection of delicious poems written in free poems. This series is simple and profound, providing readers with a thought-provoking and fascinating way to spend an hour or two.

The "City Times" and "Other Poems" are divided into six sections, all of which have similar themes. The first part, "Love Songs of Lost Skilled Workers", serves as a prelude to the rest of the collection. Each part of this particular part tells the rather short-lived nature of many of the most profound moments in a person's life, whether these special circumstances are full of deep joy, strong melancholy, or a cold indifference. An affectionate reader will find compassion in this section because he or she will be able to reflect on the sparse beauty of poetry and turn his or her own emotions into words.

The "Mirror Man" section, as a series of authors' autobiographical memories and observations, many of which can be interpreted as almost universal questioning and curiosity. The third poem of "Mirror Man" is a reflection of the nature of the external appearance, and how the external skin often does not reflect the true nature of the interior. The author's metaphor for the ability of chameleons to change their skin at will is profoundly profound. In addition, the untitled seventh poem in this section reflects the truth held by the mirror, and the multi-layered meaning of this particular poem shows the full depth of Nike's author's skill.

The section on "The Road to Wisdom" includes some of the strongest poems in the collection. Each of the poems here has some meticulous and exquisite philosophical tidbits that are consistent with the reader long after the book has been read. Encourage readers to make the most of their lives, kindness, patience, and many other deep suggestions. The "path of wisdom" is the most exciting and profound part of Naik's work.

The last part shares the name of the work of the City Times. Here, Naik placed the unquestionably longest poem in his collection, recalling that he might be his own trip to his Indian grandfather's house. When Naik described his grandfather's photographs, through a musty loft filled with long-forgotten utensils, and a dusty table, the reader could almost imagine himself being present, full of desire and nostalgia. This poem will talk to any reader who has visited the home of the deceased relative and experience a lot of contradictory emotions.

Although some of the poems in "City Times" and "Other Poetry" may be too dense or abstract for any poetry other than the strongest and most experienced poetry lover, Nike's collection will eventually become any seek A reader of a profound and well thought out poetry collection.




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