A poem exploring important topics is from
Assisi from
Author: Norman MacCaig. The reader was involved in a disturbing picture in which the subject of hypocrisy and corruption inherent in the influence of religious piety was significantly alleviated. The poet wrote in the poetic form of free poetry, evading the rhythm and rhythm of the traditional form, trying to develop this concept of corruption. Through careful word selection and vivid imagery, the poet vividly depicts the duality of human duality and social wealth and poverty.
The poet immediately introduced this separation through the title. Speaking of the city of Assisi or St. Francis of Assisi, title from
Assisi from
Implied both. As we all know, Assisi is gorgeous and magnificent; it has a magnificent home and has great wealth. In stark contrast, St. Francis of Assisi dedicated his life to the poor and gave up his wealth of aristocracy for a monastic life, symbolizing extreme poverty. Therefore, even before knowing the situation of this poem, the word title was skillfully used by MacCaig to introduce hypocritical themes.
This theme, along with the corruption of the modern church, has developed throughout the poem. from
Assisifrom
It is a story of a deformed dwarf sitting outside the church of St. Francis. When a pastor is conducting a tour guide inside, the dwarf sits on the stairs outside to beg: a subtle mention of the social divide. Through the anthropomorphization of these roles, MacCaig developed the theme.
In the first quarter, MacCaig introduces the dwarf as a poor character by describing his hands. from
'Reverse'from
. Literally and metaphorically depicting the uselessness of the dwarf, the follow-up route from
"Sitting like a half full sack from
Develop this idea. Implying lack of rigidity, metaphors call the image of dwarf deformation and deformity, while MacCaig uses s to enhance the reader's sense of uneasiness.
The poor image of the dwarf expanded on the line from
' small twisted legs, Sawdust may run 'from
. In fact, with just these two lines, MacCaig uses countless techniques to cultivate the image of the dwarf's worthlessness: vocabulary choice 'from
distortion"from
This not only indicates pain and functional incompetence, but also has the connotation of inversion and corruption, which also implies the central theme of this poem; the use of harmony on hard 't' to promote uneasy emotions Reaction; and praise from
'Sawdust 'from
To highlight his objectification of the dwarf. This metaphor extends from the previous line to make the dwarf dehumanized, describing him as an unconscious article, depriving him of his humanity.
MacCaig uses a dry, ironic tone on the next line. He described from
' Three-story church built " from
Show how refined the church is and highlight the irony of such a poor creature in such a magnificent environment. We are also told that the church is built from
"To commemorate St. Francis"from
. St. Francis is an inconspicuous person who will not take care of the luxurious cathedral built in his name. He gave up such wealth to help people like dwarves, so the fact that he is sitting outside of hunger and poverty is very ironic. The poet uses other techniques to emphasize this. For example, the advantages of this line highlight the scale of the building. Similarly, MacCaig changed the expected syntax of the last line of this section. from
"Not dead yet" from
Emphasize irony. This inversion also reflects inequality and injustice, while at the same time perpetuating the disturbing tone.
In the second quarter, we were introduced to the pastor who conducted the Giotto mural guide in the church. This is painful because it illustrates the widespread corruption in the church. The mural was originally commissioned to teach the poor the stories in the Bible. In from
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They are used as a source of capital gains, not as a spiritual development, just as they were originally intended. The role of the pastor has shifted from the role of the spiritual instructor to the role of the tour guide, and MacCaig uses a self-deprecating tone in this section to emphasize the palpable hypocrisy. He also revealed his contempt for social duality; huge wealth and huge poverty often coexist. This can be seen in the sentence "...I understand/interpret and/or be smart." MacCaig's use of Enjambement has had a big impact here, indicating his neglect of the pastor and the contempt of social negligence.
In the final section, MacCaig uses other techniques to explore the topic. First, he used an extended metaphor as a pastor of the peasant. He described a from
"grab" from
Tourist from
Satisfied with "giggle"from
. This word from
"grab" from
This means a lack of deliberation, which shows that tourists do not know the irony. The use of rhymes and onomatopoeic words suggests that visitors are as simple as a chicken, without thinking. Extend metaphor by describing visitors from
"Floating"from
They blindly followed the pastor and did not know any hypocrisy. Another technique that MacCaig uses to reflect the theme is also used here: from
"...because he spread the particles of the word"from
. The corruption of this phrase used in the Bible is intended to respond to the corruption of church values. It also reflects that, in the eyes of the poet, the pastor has forgotten his spiritual responsibility and the tone is quite low.
At the end of the poem, MacCaig further showed his disgust and injustice. He told us from
"They have already passed / destroyed temples outside." from
This word from
"they" from
It conveys a tone of accusation. The team did not notice the dwarf's pain, too focused and shallow, and could not realize how hypocritical they were: we learned here that the poet was repelled by this situation. Parallel from
"Destroyed the temple" from
Conveyed a strong message. This word "from
destroyedfrom
"It symbolizes the broken appearance of the dwarf, and instead,"from
templefrom
"It symbolizes the perfection and sacred innerness of the dwarf, that is, his humanity.
In this last section, the image of the dwarf is particularly sharp and successfully blends the theme of the poem. MacCaig is very savagely describing the appearance of the dwarf: from
"...his eyes/cry pus, his back is higher than his head, his mouth is unbalanced..."from
]. This harsh description of the dwarf was used to produce a special effect: to make the reader feel pity; in fact, we were refused to detain it. In the last few lines of this poem, MacCaig reclaims the dwarf's humanity by revealing his inner beauty. Metaphor from
"...the voice is like sweetness / as a child, when she talks to her mother, or when a bird speaks to St. Francis" from
It shows the purity and innocence of the dwarf very clearly. The tone also represents pure injustice and unnecessary suffering, which is clearly an important part of the dwarf's life. Why is his pain ignored?
Through a large amount of technology, MacCaig has successfully aroused our sympathy and explored themes through corruption and hypocrisy, and we are forced to question the meaning of human beings. The duality of man is carried out through two roles. The pastor may be a person who serves God, but his role only serves capitalism. The broken dwarf is also deformed throughout the world, but perfect for God. Through the structure of this poem, we separate these two kinds of life, but MacCaig conveys absolute synonym. So we have from
Assisifrom
: A poem of conscience.
Orignal From: Assisi by Norman MacCaig - Literature Review
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