In the fifth line of the poem "Design", an invisible hand enters. These characters are "mixed" like the ingredients in the evil potion. Some power is mixed behind the scenes. These characters are innocent themselves, but when they come together, their whiteness and rigorous blinks are overwhelming. There are some demonic things in the feast of spiders.
"The right side of the morning" echoes the word ritual, which is a ritual - in this case it is obviously a black mass or a Withces Sabbath. The simile in the seventh line is more vague and harder to describe. The foam is white, foamy, and delicate - after the waves have subsided, something has been found in the woods or on the creek on the beach. However, in nature, bubbles can also be ugly: foam on polluted streams or rabies mouths. The dualism in nature - its beauty and horror - is in that parable.
So far, this poem has depicted a small frozen scene. When a boy holds a kite, the dimple killer treats his victim as innocent. As Mr. Radcliffe hinted, Frost has hinted that nature may be just a "white plain, no love, no faith or hope, and an ignorant appetite accidentally intersects." Now, in the last six lines of the sonnet, Frost comes out and directly states his subject.
What else can bring these deadly pale, stiff things together "but the dark design is shocking?" The problem is obviously rhetoric; we are going to answer: "Yes, there seems to be an evil design here!" I took The penultimate line means, "Besides designing such darkness and evil, what are we shocked by?" By the way, "Appall" is the second pun in this poem: it sounds like Shadow or shroud. Turn to the advice with a steering wheel or rudder that some pilots must control. Just like the word that comes with it, it means that some invisible force paints the spider, healing all the paths with the moth so that they can arrive together.
Orignal From: About Robert Frost's poetry "Design"
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